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Logic Pro X comes standard withВ a great Channel EQ plug-in. These will allow you to adjust what frequency you need to boost or cut with pinpoint accuracy, add filters to curtail unwanted frequencies at certain cut-off points (low shelf, high shelf, low pass and high pass being the most common), and use presets designed specifically for different vocal types and applications. All DAWsВ come pre-loaded with some kind of EQ software, and there are tonnes of incredible aftermarket EQs out there if you want to fork out some cash. If you are doing your EQвЂ™ing in a DAW, you will likely have many more options to work with. In most cases for podcasting, these three knobs are all you'll needВ to sculpt your voice the way youвЂ™d like. Turning them counterclockwise will cut the frequency while turning clockwise boosts it. When at noon, these knobs are at unity, meaning there are neither boosting nor cutting the frequency.

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Some may have just one or two, while more advanced consoles, like those found in professional studios, may have more. Most basic mixers will have three EQ knobs for each channel вЂ“ one each for lows, mids, and highs. The most commonly used equalisers in podcasting areВ those found in DAWs, such asВ ProTools, Logic or Audacity, and on mixers or consoles.

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DonвЂ™t let this deter you though вЂ“ there are simple, steadfast rules and types of equalisers you can apply to achieve a certain tonal quality with the click of a button or turn of a knob.Д®qualisers come in many different formats вЂ“ from software in your Digital Audio Workstation (DAW), to knobs on your mixer, to switches on your microphone (youвЂ™ll also find them on guitars, guitar amps, sound systems, studio hardware like preamps and compressors, and many more music-making tools and audio devices).

The lower frequencies, from 20-250Hz, areВ bass frequencies the midrange вЂ“ or вЂmidsвЂ™ вЂ“ is comprised of frequencies from 250Hz to 4kHz В the upper frequencies range from 4kHz to 20kHz.ДЄdjusting EQ will have a different impact on the tonalityВ of the audioВ depending on what frequencies you boost or cut, and there are infinite ways you can sculpt a signal. These sit on a spectrum that rangesВ from 20Hz to 20,000Hz (the audible range for humans). When you record a sound, the audio signal is made up of layers of different frequencies. It is one of the most ubiquitous processes in sound production and is an important step in mixing all kinds of audio for all kinds of mediums. In a nutshell, equalisation вЂ“ or EQ вЂ“ is the process of boosting or cutting the volume (dB) of certain frequencies in an audio signal in order to manipulate the overall tone of a recording. Below weвЂ™ll take a look at the most common and most relevant to podcast production. All professional podcasters will use them to some degree. While the basic elements of sound production (yourВ recording space, microphones, preamps, mixers and interfaces etc) should never be overlooked вЂ“В as these are what lay the foundation of any great recording вЂ“ audio processing and effects are what makeВ aВ podcast shine.

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WeвЂ™ve covered a few of these in our previous article, How to Get the Best Audio Quality Out of Your Podcast, but here we want to focus specifically on audio processing and effects. There are many factors that influence how a podcast will sound. When you listen to your favourite podcasts, what is it that draws you in the most? A gripping story? Chemistry between hosts? Compelling research?В While these elements are undeniably important for a great podcast, thereвЂ™s one thing that can make or break a show, something that is arguably more important than anything else вЂ“ sound quality.

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